Wendy's | Wendy Carlos | Wendy Matthews | Wendy O. Williams | The Wendy Williams Show | Peter and Wendy | Wendy | Wendy the Good Little Witch | Wendy Melvoin | Wendy Hughes | Wendy Cope | Wendy Wild | Wendy Luers | Wendy James | Wendy Doniger | Wendy Diamond | Wendy’s | Wendy Robbins | Wendy McElroy | Wendy Hiller | Wendy Crewson | Wendy Barker | Wendy and Lucy | Wendy Wilkins | Wendy Whiteley | Wendy Smith-Sly | Wendy Shalit | Wendy Selig-Prieb | Wendy Richard | Wendy Kingston |
The view, advanced by some contemporary art historians, that Peeters has been underrated because she was a woman is addressed in the opening scene of Wendy Wasserstein's play The Heidi Chronicles.
The Drama Desk was the first New York theater organization to give awards to talents such as Edward Albee, Wendy Wasserstein and George C. Scott.
Later NYCO assignments included Adalgisa in Norma, Bradamante in Alcina, Smeton in Anna Bolena, and leading roles in the Central Park trilogy (which consists of Deborah Drattell and Wendy Wasserstein's The Festival of Regrets, Michael Torke and A.R. Gurney's Strawberry Fields, and Robert Beaser and Terrence McNally's The Food of Love).