He was one of the first Italian painters to paint a canvas wherein landscape took priority over figures, such as his masterful The Flight into Egypt; this is a genre in which he was followed by Domenichino (his favorite pupil) and Claude Lorrain.
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Other significant late works painted by Carracci in Rome include Domine, Quo Vadis? (c. 1602), which reveals a striking economy in figure composition and a force and precision of gesture that influenced on Poussin and through him, the language of gesture in painting.
He also purchased through his uncle a genre piece by Annibale Carracci.
The artist is unknown, although it has been controversially attributed to Murillo or Annibale Carracci.
Other Italian painters who had an influence on Ter Brugghen during his stay in Italy were Annibale Carracci, Domenichino and Guido Reni.
Among works that particularly inspired him during this period were paintings by Thomas Gainsborough, Claude Lorrain, Peter Paul Rubens, Annibale Carracci and Jacob van Ruisdael.
There is a large collection of Spanish paintings from the 19th and 20th centuries including Jacopo Bassano (Los cacharreros), Sofonisba Anguissola, Annibale Carracci, Francesco Furini (La creación de Eva), Luca Giordano, Giovanni Paolo Pannini, José de Ribera (Cristo coronado de espinas), Francisco Antolínez, Joaquín Inza and Neri di Bicci.
A 1584 painting by the Italian artist Annibale Carracci depicts a man eating at a table and, to his right, a bread very similar to pane ticinese.
According to another version, Pulcinella derived from the name of Puccio d'Aniello, a peasant of Acerra, who was portrayed in a famous picture attributed to Annibale Carracci, and indeed characterized by a long nose.
Annibale Carracci | Ludovico Carracci | Annibale Annibaldi | The Carracci | Francesco Carracci | A similar bread depicted in ''The Beaneater'' by Annibale Carracci | Annibale Stabile | Annibale Maria di Francia | Annibale I Bentivoglio |
Yet in Rome and in Italy it was not Caravaggio, but the influence of Annibale Carracci, blending elements from the High Renaissance and Lombard realism, which ultimately triumphed.
He engraved a: Christ and the Samaritan Woman at the Fountain after Il Garofalo; The Penitent Magdalene after Bartolomé Esteban Murillo; Madonna del Rosario after Sassoferrato; and Aurora and Cephalus after Annibale Carracci.
Sherwin was sent to study in London, first under John Astley, and then for three years under Francesco Bartolozzi – for whom he is believed to have executed a large portion of the plate of Clytie, after Annibale Carracci, published as the work of his master.
Loreto's main monuments occupy the four sides of the piazza: the college of the Jesuits, the Palazzo Comunale (formerly the Palazzo Apostolico), designed by Bramante, with an art gallery with works of Lorenzo Lotto, Vouet and Annibale Carracci as well as a collection of maiolica, and the Shrine of the Holy House (Santuario della Santa Casa).
The Beaneater (Mangiafagioli) a 1580s painting by Annibale Carracci