Hase likely forged a work later known as the Fragments of Toparcha Gothicus and passed them off as real to one of his patrons, Nikolay Rumyantsev, causing a period of confusion among Byzantine scholars over the origin of this work.
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His most important works are the editions of Leo Diaconus, the De velitatione bellica, and other Byzantine writers (1819), and of Johannes Lydus, De ostentis (1823), a masterpiece of textual restoration, the difficulties of which were aggravated by the fact that the manuscript had for a long time been stowed away in a wine-barrel in a monastery.
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