In February and March 2010, the song "Always" enjoyed an unexpected peak of popularity among flash-game players for its prominent role as the soundtrack of the Adult Swim game Robot Unicorn Attack.
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The album was named after the recording studio in Brooklyn where it was recorded.
Due to copyright clearance issues, Fortran 5's remix "Who Needs Love (Like That) - Winnie Cooper Mix" from ERAS2 isn't included on the EP.
Robert Plant recorded a song by this name in 1987 for his album Now and Zen; in the same year Erasure also released a song called "Ship of Fools".
Lutz co-directed with Sandy McLeod the music video "Too Darn Hot" performed by Erasure.
Benet made a cameo appearance in the music video for Erasure's re-release of their song, A Little Respect, in December 2010 (which was a fundraiser for students of the Harvey Milk Institute in San Francisco.
Memorials such as Maya Lin's Vietnam Veterans Memorial and Peter Eisenman's Memorial to the Murdered Jews of Europe are also said to reflect themes of trace and erasure.
Erasure's official website initially presented viewers with a "behind the scenes" look at the making of the music video for this song via RealMedia, Windows Media Player and QuickTime.
It contains thirty-four articles and essays on pop music on personalities including Little Richard, Brian Epstein, Dusty Springfield, Jayne County, Sylvester, Village People, Tom Robinson, Culture Club, Frankie Goes to Hollywood, Bronski Beat, Divine, The Communards, Erasure, Pet Shop Boys, Marc Almond, Kenny Everett, Morrissey, and Boy George.
The video, originally only available on VHS, features 13 tracks from the concert and, amongst tracks from The Circus, includes performances of songs from Erasure's first album Wonderland plus "Gimme! Gimme! Gimme!", the band's first foray into ABBA cover versions.
"The bulldozing of historic cemeteries is the ultimate act of territorial aggrandizement: the erasure of prior residents," said Professor Harvey Weiss of Yale University, adding that "Desecration of Jerusalem's Mamilla cemetery is a continuing cultural and historical tragedy."
As it turns out, this erasure... is precisely what is experimentally dramatized in the “science fiction” film, Eternal Sunshine of the Spotless Mind, a far more philosophically sophisticated meditation on personal identity than is found in most of the contemporary literature on the topic.
Killeen has also developed a theory of learning as causal inference (1981) bringing these together in his paper on the perception of contingency in conditioning: Scalar timing, response bias, and the erasure of memory by reinforcement (Killeen, 1984).