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In 1961 the American choreographer James Waring created a dance piece entitled Dithyramb with music and objects by the Fluxus artist George Brecht.
Waring, who designed the costumes for his dance works, collaborated with visual artists such as George Brecht, Red Grooms, Al Hansen, Robert Indiana, Jasper Johns, Allan Kaprow, Larry Poons, Robert Watts and Robert Whitman.
Wilson became an integral part of Johnson's mail art circle and was initiated into the New York avant-garde through letters and small works that she exchanged with Robert Watts, George Brecht, Ad Reinhardt, Leonard Cohen, Arman, and many others.
Kosuth's concern with the difference between a concept and its mode of presentation was prefigured in the "event cards" of Fluxus-artists like George Brecht, Dick Higgins and Yoko Ono.
Other important events at the Gallery included the first Franz Kline retrospective in 1962, curated by Alice Denney, and the "Popular Image Show" in 1963 which included artists like Robert Rauschenberg, Jasper Johns, Tom Wesselmann, George Brecht, Claes Oldenburg, Jim Dine, and James Rosenquist.