He is also responsible for engravings for Jean Martin's 1547 translation of Vitruvius and for work on the Château of Ecouen, for the Montmorency family.
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In 1544-1547 he was occupied with considerable works at the Château d’Ecouen for the connétable de Montmorency.
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He became "sculptor to the king" (Henry II of France) in 1547 and in the next years was occupied at the Château of Anet.
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