The most ambitious of these was a site-specific performance at the Seagram Building on Park Avenue, New York City.
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It was in experimenting with the dimensionality of sculpture combined with student dance classes in improvised movement that she had this epiphany: “I discovered I could BE the sculpture!” which led to two summer sessions with Hanya Holm at Colorado College and further solidified her shift from painting to dance.
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This was followed by five years performing in the early Merce Cunningham Dance Company (1958-1963), and touring with John Cage, Robert Rauschenberg, Merce Cunningham, and five other dancers: Carolyn Brown, Viola Farber, Remy Charlip, Judith Dunn and Steve Paxton.
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