The group played locally and at the Punakaiki Music Festival (West Coast, New Zealand); and would have been forgotten like a lot of bands had Page not recorded nearly every practice and concert and organised the "Gone AIWA" cassette (1983), re-released in 2011 on vinyl by Siltbreeze.
The project has also released music through labels such as Siltbreeze, Jewelled Antler, American Tapes, Fargone Records, Menlo Park, E.F. Tapes and Freedom From.
Nevermind was a departure from the band's punk sound, having more in common with many of the mid-to-late '90s Siltbreeze bands such as Harry Pussy and The Dead C.
He has recorded for many independent labels including Matador, In the Red, Sympathy for the Record Industry, Hate Records (IT), Dead Canary, Revenant, Siltbreeze, and Columbus Discount Records.
Harsh 70s Reality is the fourth album by The Dead C, released in 1992 through Siltbreeze.
They started rehearsing and recording some demos, which would later turn into their debut LP Mocosos Pateticos released by the Philadelphia based label, Siltbreeze.
Trapdoor Fucking Exit is the third album by The Dead C, released in 1990 through Siltbreeze.
Mocosos Pateticos is the debut album by Mexican Punk Rock band Ratas Del Vaticano, released in February by Siltbreeze Records.
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Some of this demos were then uploaded into their Myspace page and listened by Siltbreeze's, Tom Lax, who offered them to release those songs on a 12 inch vinyl.