It was the first single to be released from the album and charted at #53 in the UK Singles Chart in April 1998 (see 1998 in British music).
It was released in the United Kingdom on 5 October 1992 and peaked at number 7 on the UK Singles Chart.
"All I Wanna Do Is Make Love to You" was a success, spending two weeks at number two on the U.S. Billboard Hot 100, peaking at number eight in the UK Singles Chart, and reaching #1 in Canada and Australia.
Despite radio play and much hype, it only reached number 30 in the UK singles chart.
Released on 7 November 1994, the single climbed to number 26 in the UK Singles Chart.
In the United Kingdom it became their biggest hit ever up to that point, entering at number 18 in the UK Singles Chart in February 1996.
It reached #20 in the UK charts and includes a cover of "We Gotta Get out of This Place" by The Animals, as well as the songs "Bad Days" and "The Unluckiest Man in the World".
Like the other three singles from the album, "Blame It on the Weatherman" reached #1 on the UK Singles Chart.
It was released as a CD single on 3 September and reached No. 91 in the UK Singles Chart.
The song peaked at #12 becoming one of the few U2 singles that failed to reach the top 10 in the UK Singles Chart.
Everything Starts With An 'E' was originally released in the summer of 1989, and peaked at #69 in the UK Singles Chart, leaving the top 75 chart after only one week.
A huge #1 club hit in the United Kingdom of Great Britain and Northern Ireland (UK), it was less successful on the UK Singles Chart.
In December 2013, following the news of Nelson Mandela's death, the single re-entered at number ninety six on the UK Singles Chart.
A number of additional remixes of the song, including one by Grant Nelson, were issued on 12" and CD in the United Kingdom in 1999, resulting in the song reaching #40 on the UK Singles Chart.
"Got the Feelin'" reached a peak position of No. 3 on the UK Singles Chart becoming the band's third top ten single and their highest-charting single until the album's next single "Everybody Get Up" reached No. 2.
New remixes for the singles' 12-inch and CD formats were commissioned and all four reissues peaked within the top 100 of the UK Singles Chart.
The song was a bigger hit and peaked at number eight on the UK Singles Chart.
"How Long's a Tear Take to Dry?" reached number 12 in the UK Singles Chart in March 1999.
The song was released in 1997 and reached number 4 in the UK Singles Chart.
The single achieved success in the charts and peaked at #7, spent 12 weeks in the UK Singles Chart and was certified silver by the BPI for sales over 200k within the UK.
The single was released on 30 March 1992, and reached #33 on the UK Singles Chart.
The single peaked at number twenty-three on the U.S. Billboard Hot 100 and hit number forty-seven in the UK Singles Chart.
Featuring a wistful but resolute vocal set against a melodic synthesizer line, the track was a substantial hit on both sides of the Atlantic, reaching number nine on the Billboard Hot 100 as well as number seven on the UK Singles Chart.
It became the group's second top twenty single, charting at number fifteen on the UK Singles Chart.
The single failed to reach the same success as many of Detroit's previous releases, peaking at #107 on the UK Singles Chart.
"I Shall Be There" was released on 6 December 1999 and entered the UK Singles Chart at number 13, becoming B*Witched's first single to miss the UK top 10.
It was the third single to be released from the album and charted at #41 in the UK Singles Chart in October 1998 (see 1998 in British music).
Although never released as an official single, the song has charted on two separate occasions on the UK Singles Chart.
Those were his only U.S. hit singles, although his version of "When Your Old Wedding Ring Was New" twice appeared in the UK Singles Chart.
"Let Forever Be" was The Chemical Brothers' fourth top ten single in the UK, peaking at number 9 in the UK Singles Chart.
"What You Say" was released as a single on 1 December 1997 and peaked at #41 in the UK singles chart.
List of UK top 10 singles is a series of lists showing all the singles that have reached the top 10 (top 12 in 1952 and 1953) on the UK Singles Chart in a particular year.
The single was unsuccessful upon release, peaking at a low number sixty-two on the UK Singles Chart.
It peaked at number three in the UK Singles Chart, ending their string of consecutive number-one singles.
It was the third and final single to be released from her album The Sensual World in 1990, and peaked at no.38 on UK Singles Chart.
Although the song did not reach the Billboard Hot 100 chart, it peaked at #8 on the Modern Rock Tracks chart in the United States and, in a heavily remixed form with re-recorded vocals and less of a rock influence, was the band's biggest hit single in the UK, peaking at #12 on the UK Singles Chart.
The single was another success for Barlow becoming his second #1 single on the UK Singles Chart.
Following positive buzz from Marvin's fans in England, Tamla-Motown released the song as a single in the UK where it reached number sixty-seven on the UK Singles Chart in 1994 giving Gaye his fourth posthumous hit, a decade after his death.
The single which was produced by Mike Chapman became her lowest charting single in the UK, peaking outside the Top 75 at #89 and it subsequently fell off the chart after just two weeks, which made it the lowest single of Harry's to chart on the UK Singles Chart.
"Rolex Sweep" is the first single from the album it was released on 15 September 2008; it reached number 89 on the UK Singles Chart.
The track, which peaked at #124 on the UK Singles Chart when it was released in 1996, did not have a promotional video made to accompany it and remains Knight's second lowest charting single to date in the UK, after "After You".
The single entered in at #7 on 30 October 1994 on the UK Singles Chart, climbing to its peak of #4 a week later.
Released in March 1995 in the UK only, the song received positive reviews from music critics and eventually peaked at number thirteen in the UK Singles Chart, eventually spending 8 weeks in the charts.
The single however seemed a bit of a letdown abroad, not charting in the United Kingdom or Asia, or the Hot 100.
In 1995 Paul Oakenfold's Perfecto Allstarz project recorded "Reach Up (Papa's Got A Brand New Pigbag)", which peaked at #6 in the UK Singles Chart.
Although the song was less successful than the first two single before, it is the only Depeche Mode single to chart higher on the Billboard Hot 100 (#15) than on the UK Singles Chart (#16), as well as peaking at number two on the American dance charts.
The song was released in 1999 and reached number 13 in the UK Singles Chart.
The song became successful, it peaked at number 37 on the US Billboard Hot 100 Airplay chart, as well as reaching number two on the Hot R&B/Hip-Hop Songs chart, whilst reaching number sixteen on the UK Singles Chart.
In 1980 the album You'll Never Know saw some major chart success with "The Groove" (it reached number 7 in the UK Singles Chart).
"Rubberband Girl" was released on 6 September 1993 and peaked at number 12 in the UK Singles Chart.
It is the band's biggest hit commercially to date, peaking at #3 on the UK Singles Chart, with the remixed version reaching #4.
The single was written by Keith Nunnally, and it peaked in the UK Singles Chart at number eighty.
It was released on 25 October 1993 and reached #22 in the UK Singles Chart.
The song is the album's opening track, and was released as its second single, peaking at #5 in the UK Singles Chart (see 2000 in British music).
Hits 12 features one song which reached number one on the UK Singles Chart: "World in Motion".
It is also their fourth consecutive top ten single, peaking at #10 in the UK Singles Chart.
It's Harry's last single to chart on the UK Singles Chart to date and the single didn't make any other major chart besides in the UK.
In the United Kingdom, the song peaked at number two on the UK Singles Chart whilst Elton John's "Candle in the Wind 1997" was at number-one.
"Sweet Like Chocolate" went to number one on the UK Singles Chart, achieved platinum status and was a top ten in a number of countries.
The tracks peaked at No. 63 and No. 58 respectively, in the UK Singles Chart.
It peaked at number six on the UK Singles Chart in early 1995, their highest UK chart position since 1983, spending a total of nine weeks in the chart.
The song charted at #22 in New Zealand and #71 on the UK Singles Chart.
"The City Is Mine" was a little commercial success reaching #52 on the Billboard Hot 100 and #38 on the UK Singles Chart.
The song was released in 1996 and reached number 4 in the UK Singles Chart.
"Where Did Your Heart Go?" was later given an equal billing and reached a lowly position in the UK Top 40 as a result.
The movie's theme song "Invincible" by Pat Benatar peaked at number 10 on the Billboard Hot 100 in September 1985, while Billy Idol's reissue of his single "Rebel Yell" climbed up to number six on the UK Singles Chart in October 1985 after its first unsuccessful release in 1984.
"This Time I Found Love" reached number 33 on the UK Singles Chart in 1994 It stayed on the Top 40 for two weeks.
In 1992 Scottish band Texas covered "Tired of Being Alone", which became a substantial hit in the United Kingdom, reaching no. 19 on the official UK Singles Chart.
In the U.K., the song was released in October reached #17 on the British pop chart.
It was also released as a single, reaching number 20 in the UK Singles Chart in 1998.
The song was released in 1997 and reached number 5 in the UK Singles Chart.
It made its debut at number 5 in the run up to Christmas selling almost 100,000 and peaked at number 2 on the UK Singles Chart the following year.
As a single, it was released on 1 October 1995 and reached number 15 on the UK Singles Chart.
The Mike Hurst-produced version went on to spend three weeks at the top of the UK Singles Chart in December, and has since sold over a million copies in the UK.
"Waitin' for a Superman" (subtitled "Is It Gettin' Heavy??" for the song's U.S. album release) is a song by The Flaming Lips, released as the second single taken from their 1999 album The Soft Bulletin, and reaching No. 73 in the UK Singles Chart.
The single, released 15 October 1992, peaked at #18 on the Billboard Hot 100, but did not chart on the UK Singles Chart.
It became a top ten hit for Michael, charting at number ten in the UK Singles Chart, staying on the charts for four weeks and remains Bourke's only hit.
It was the band's most successful single, getting to number 12 in the UK Singles Chart in 1997.
While "Boom Boom Boom Boom" was still on the UK chart, "We're Going to Ibiza" reached number one on the UK Singles Chart, as the previous single had also done.
It was the fourth and final single to be released from the album and charted at #19 in the UK Singles Chart in February 1999 (see 1999 in British music).
In the United Kingdom, the song debuted at number sixteen on the UK Singles Chart, until descending to number sixty-three, staying in the charts for three weeks.
It reached #1 on the UK Singles Chart making it their first number one single in the UK.
The song had debuted at number twenty-four on the UK Singles Chart, but had descended the charts finishing at number seventy-three then falling out.
"You're in a Bad Way" was one of the group's biggest hits, reaching #12 on the UK Singles Chart.
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Released as the second single from their first album released under the name "E-17", the song did not do as well as its predecessor, Each Time, making #12 on the UK Singles Chart.
It reached No. 39 in the UK, the only Ooberman single to date to make the UK Singles Chart Top 40.
In November 1977, the band reached number 2 in the UK Singles Chart with their recording of "The Floral Dance", where they stayed for nine weeks, only surpassed at the time by "Mull of Kintyre" (the first UK single to sell more than two million copies, and third best selling UK single of all time).
Outside of the United States, the song reached #1 on the New Zealand Singles Chart and peaked at #18 on the UK Singles Chart.
CD singles were first made eligible for the UK Singles Chart in 1987, and the first number 1 available on the format in that country was "I Wanna Dance with Somebody (Who Loves Me)" by Whitney Houston in May 1987.
Released in 1995, the single, which also features Kelly, peaked at number thirty-three on the UK Singles Chart.
The song was a "catchy rocker" that became a top five hit in the UK Singles Chart reaching number four.
It was the second single to be released from the album and charted at #47 in the UK Singles Chart in July 1998 (see 1998 in British music).
"Favourite Things" became Big Brovaz third UK top ten hit, peaking at number two and spending three months inside the UK top seventy-five.
"How Can I Be Sure" was revived in 1972 with a version from David Cassidy, which became a major hit on both sides of the Atlantic, reaching #25 on the Billboard Hot 100 and spending two weeks at #1 on the UK singles chart.
The song was later covered by English New Wave band Japan which also proved a commercial success in the United Kingdom, climbing to #9 in the UK Singles Chart in July 1982.
The Liverpool Wall of Fame on Mathew Street, Liverpool, England, in front of the Cavern Club is a litany of, and a tribute to, the groups which played at the original Cavern Club, including acts from the city which have reached number one in the UK Singles Chart.
It holds an important place in the history of house music as the first record in that genre to cross over from the clubs into the UK Singles Chart.
While the single and album had limited success in his home country of the U.S., Newberry's single was popular enough across the Atlantic to reach #6 on the UK Singles Chart, his only significant chart hit in either country.
AlunaGeorge went on to have a number 2 hit on the UK Singles Chart with White Noise in collaboration with Disclosure, and their album, Body Music reached number 11 on the UK Album Chart.
It was not a success, charting at number 47 on the UK Singles Chart.
"Owner of a Lonely Heart" has been remixed numerous times, including by 808 State ("2 Close to the Edge Mix" and "Not Fragile Mix" on the 1991 CD single ressue), in 2004 by Deep Dish, and most notably by Max Graham in 2005, whose version reached number nine in the UK Singles Chart.
"Race for the Prize" is a song by The Flaming Lips, released as the first single taken from their 1999 album The Soft Bulletin, and reaching #39 in the UK Singles Chart as the highest charting single from the album.
Released on the Hansa label, it entered the UK Singles Chart on 10 July 1982; it reached a peak of number 19, and remained in the chart for 8 weeks.
It was a moderate commercial success, reaching the top forty on the Australian and United Kingdom singles charts.
They were signed by London Records and had three minor UK Singles Chart hits in 1990 before breaking into the top 30 in 1991 with a revamped version of their debut single, the Martin Hannett-produced "Box Set Go".
"The Ladies' Bras" became popular after it was played on Danny Baker's All Day Breakfast Show podcast show, reaching #70 in the UK singles chart with 1,644 sales and no national airplay.
A second song by Bayer and Wine, "Ashes to Ashes," took the Mindbenders to No. 14 in the UK Singles Chart in the autumn of 1966, after an earlier effort in 1966, "Can't Live With You (Can't Live Without You)" had struggled to break the UK Top 30.
The single combined "Good Evening Friends" with the more fuller titled "Up Above My Head, I Hear Music in the Air" (Philips PB 708), and peaked at number 25 in the UK Singles Chart.
The song rose to fame in September 2013 after being featured on a Tesco F&F television advertisement, so far peaking at number seven on the UK Singles Chart.
The song "Start Choppin'" was their biggest hit, hitting number 3 on the Modern Rock Tracks chart in the U.S., and the Top 20 of the UK Singles Chart.
It is the second single released from his debut studio album Curtis Stigers and peaked at number six in the UK Singles Chart in 1992.